She's so elegant, and methodical in her optical trickery. I love her works.
Auerbach has a background in typography and an interest in scientific books. Her work can be described as an exploration of semiotics, with a playful hint.
Like a scientist, she dissects language as a code of symbols and a conduit for ideas.
She's (like me and Lewis Carrol, etc.) so into anagram (a word or phrase formed by rearranging the letters of another), which historically has been utilized to carry secret messages or hidden meanings and by great writers such Carroll and most of all, Nabokov.
SOLO EXHIBITIONS
2010 Quarry, Whitney Museum Construction Site Installation, New York
2010 New Year, Western Bridge, Seattle
2009 Here and Now/And Nowhere, Deitch Projects, New York
2008 Passengers, Wattis Institute for Contemporary Art, San Francisco, California
2008 The Uncertainly Principle, Standard (Oslo), Oslo, Norway
2007 The Answer/Wasn’t Here, Jack Hanley Gallery, San Francisco, California
2006 Yes and Not Yes, Deitch Projects, New York
2005 All Time, All the Time, San Francisco Art Commission, San Francisco, California
2005 How to Spell the Alphabet, New Image Art Gallery, Los Angeles, California
2010 Quarry, Whitney Museum Construction Site Installation, New York
2010 New Year, Western Bridge, Seattle
2009 Here and Now/And Nowhere, Deitch Projects, New York
2008 Passengers, Wattis Institute for Contemporary Art, San Francisco, California
2008 The Uncertainly Principle, Standard (Oslo), Oslo, Norway
2007 The Answer/Wasn’t Here, Jack Hanley Gallery, San Francisco, California
2006 Yes and Not Yes, Deitch Projects, New York
2005 All Time, All the Time, San Francisco Art Commission, San Francisco, California
2005 How to Spell the Alphabet, New Image Art Gallery, Los Angeles, California
